Join Free Arts & Crafts
Specializing in artificial plants, artificial flowers, cactus, succulents, trees and related craft products. We have an experienced professional team and well equipped production equipment. Our products maintain excellent quality, reasonable price and novel design. New product development has always been at the forefront of the industry.
Welcome to our world of exceptional lighting products, where design meets top-notch service for residential and commercial projects since 2018. With a global presence, our export market spans Europe, North & South Americas, Africa, and Australia. Wherever you are, we ensure express and insured delivery through renowned carriers like DHL, UPS, FedEx and Aramex.
Explore our vibrant collection of contemporary oriental lamps, designed to illuminate every corner of your home. Brighten your living spaces with our wide range of options. Click below to discover our full product range or scroll down to explore our exquisite collections. Experience the magic of lighting with us!
Echo Art Studio is a high fire ceramic and fine art studio, teaching students in the Los Angeles area since 1999. We take pride in quality of our instruction and even developed our own Echo method of throwing, where everybody will make a pot on their first day! As we go along teaching students and helping members, we develop products that help us and everyone else at the studio to be a better artist. Thus, we designed and now manufacture and sell all over the world our own Claypron, split and overlapped apron for ceramic artists. We make and sell our beautiful cone 10 glazes. We expanded into fine art territory in 2020 by adding a spacious bright art room and hiring the most wonderful fine arts teachers to teach our painting classes.
Sinuo Art is a factory that has been engaged in lighting customization for 18 years, supplemented by home decoration customization. A professional company that provides a complete set of customized solutions for customer needs, from product design, production and manufacturing, engineering installation to after-sales service. The design team is highly forward- looking and creative, tailoring high-quality lighting art for specific spaces. At the same time, attention should be paid to the integration of form, color, light, shadow, and dynamics, in order to achieve artistry and marketization.
Since 2007, it has accumulated more than 800 projects, involving well-known high-end hotels and well-known construction companies,design companies, designers and artists at home and abroad, including: Pearl Marsamaraz Kespinski Hotel Doha, Qatar, Huayi Hotel Wuhu Anhui, Wyndham Grand Hotel,Changshu Pullman Hotel, Fuzhou Jeurong Hotel, Taiyuan Lakeside Plaza Hotel, Taiyuan kempinski, Pullman, Hilton, W hotel, Conrad Hotels and Wanda, etc. The product is including the custom hotel lobby chandelier, household lighting, installation art, wall art, hotel screen, lighting programming, lights interactive devices and so on.
Behind the visitor experience, the workshop operates a small production line of decorative homewares, tea light holders, coasters, and vases, sold online and through local gift shops. Finished workshop pieces are fired in an electric kiln and shipped back to participants within two weeks. Selin also conducts evening thematic sessions, such as Ebru Meets Clay (combining paper marbling with ceramic glazing), demonstrating the studio’s innovative approach to cross media craft experiences.
Geared toward tourists, One Handmade Ceramic offers daily 2.5 hour workshops where visitors learn hand building, slip decoration, and glazing. The studio’s owner, Selin Kara, sources Romanian clay bodies and Turkish glaze pigments, guiding guests through creating personalized souvenirs. Each session includes a brief historical overview of Anatolian ceramics, followed by hands on clay shaping and an opportunity to paint traditional Iznik motifs on bisque ware.
Rural arts studio offering seasonal workshops in paper clay sculpture, botanical printmaking, and mixed media ceramics. Founded by artist educator Kate O’Neill in 2018, the studio occupies a converted barn surrounded by woodlands. Students create sculptural reliefs by combining organic textures—like leaves and seed pods—with recycled paper clay, kiln firing pieces to achieve a delicate surface patina.
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Operations emphasize small group learning (max 8 participants), with all materials provided. Morning sessions cover clay body preparation and paper pulp mixing; afternoons focus on design development and finishing techniques using acrylic washes and cold glazing. The studio also hosts weekend “Clay & Café” retreats, blending hands on workshops with farm to table meals prepared from local produce. Through residencies and open studios, Clay & Paper fosters a vibrant countryside art community.
Founded in 1931, the Vancouver Art Gallery is recognized as one of North America’s most innovative visual arts institutions. The Gallery’s celebrated exhibitions, extensive public programs and emphasis on advancing scholarship all focus on historical and contemporary art from British Columbia and around the world. Special attention is given to the accomplishments of Indigenous artists, as well as to those of the Asia Pacific region—through the Centre for Global Asias (formerly the Institute of Asian Art) founded in 2014. The Gallery’s exhibitions also explore the impact of images in the larger sphere of visual culture, design and architecture.
The Gallery’s new Art of Wellbeing lab furthers its commitment to community by promoting the role of art in fostering health and wellbeing. Developed in collaboration with healthcare professionals, researchers and Indigenous Elders, the lab creates opportunities for individuals to engage with art in ways that support mental, emotional and physical wellbeing. The Vancouver Art Gallery is a charitable not-for-profit organization supported by its members, individual donors, corporate funders, foundations, the City of Vancouver, the Province of British Columbia through the BC Arts Council and the Canada Council for the Arts.
Graphic designer Rodrigo Cuberas launched his letterpress atelier in 2010, focusing on bespoke stationery and typographic art prints. The studio produces wedding invitations, limited edition posters, and gallery pieces. Cuberas hand sets metal type for small runs and experiments with layered colors and foil accents to create dimensional textures. His work is featured in design festivals across Latin America and Europe.
The creative process at Estudio Buenos Aires begins with digital mock ups, which are then translated into photopolymer plates for larger print runs or hand composed type for artisanal editions. The studio maintains vintage presses—like the Chandler & Price and Heidelberg Windmill—for different production styles. After printing, a small bindery team handles trimming, folding, and letterpress embossed envelope liners. Community classes in basic letterpress and workshop studio tours help nurture Argentina’s growing interest in tangible print craftsmanship.
Ritu Raj approaches art, business, and life through the intertwined forces of transgression, transformation, and transcendence, not as isolated moments, but as an ongoing way of being. To transgress, for Ritu, is to challenge boundaries, question assumptions, and resist the limits of convention. To transform is to embrace change and allow both self and work to evolve freely. To transcend is to move beyond surface appearances, seeking deeper connection, resonance, and meaning.
For Ritu, abstraction is not merely an artistic style — it is a living philosophy, a way of experiencing reality beyond representation. His work does not aim to explain or describe but to evoke, generate, and create space for emotions and perceptions that defy language. Influenced by Martin Heidegger’s belief that art reveals the essence of being, Ritu approaches his creative practice as an evolving encounter: a space where perception shifts, consciousness deepens, and the unknown is welcomed with open arms.
Preserving Ottoman pottery traditions in the heart of Istanbul. Founded by a master potter, the studio specializes in Iznik style tiles, mosaic bowls, and decorative plates. Artisans hand throw each vessel and hand paint classical motifs—tulips, carnations, and arabesques—using underglaze pigments. Their pieces adorn boutique hotels and private residences across Europe and the Middle East.
Yildiz Ceramic’s weekly schedule balances commissions and public workshops. Early mornings focus on wheel throwing, while afternoons are dedicated to painting and glazing. Kiln firings occur overnight in electric and gas kilns, carefully monitored to achieve the signature glossy finish. The studio also collaborates with interior designers for bespoke installations—wall sized tile murals and functional art pieces—highlighting the rich heritage of Turkish ceramics in contemporary interiors.
Boutique letterpress studio and design shop. They specialize in heirloom-quality stationery, custom invitation suites, and limited edition art prints produced on vintage presses. Their in house bindery allows for foil stamping, edge painting, and hand torn deckle edges, ensuring each piece carries a distinct tactile character. Beyond print, Hammerpress collaborates with local artists and musicians to create concert posters and zines, fostering a tight knit creative community in the Midwest.
Their operations blend traditional craftsmanship with modern design sensibilities. Orders begin with a consultative meeting—either in person or via video—where clients choose paper stocks and typefaces. Once the design is approved, each page is hand set in movable type or polymer plates, inked with a roller, and pressed one sheet at a time. After printing, items move to the finishing department, where artists meticulously fold, bind, and package each piece. This hands on process, though time intensive, results in products that celebrate the imperfections and subtleties unique to letterpress printing.
Blends traditional Malaysian batik techniques with contemporary design. Their flagship studio in Kuala Lumpur houses over 5,000 hand carved wooden blocks, each used to stamp intricate wax resist patterns onto textiles. Products range from scarves and dresses to upholstery fabrics sold wholesale to interior designers. The company employs artisans from rural Johor communities, providing stable incomes and apprenticeships in dyeing, drawing, and block carving.
Operations begin in their dye lab, where fabrics undergo multiple stages of waxing and dye baths using AZO free dyes. After patterning, textiles are boiled to remove wax and then sun dried on rooftop racks. Batik Boutique also runs corporate workshops and virtual masterclasses, teaching batik history and techniques to global audiences. Their showroom in Mont Kiara features rotating installations that showcase collaborations with fashion designers, emphasizing the versatility of batik in modern wardrobes.